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<\/a><\/div>\nPodcast: Play in new window<\/a> | Download<\/a> ()<\/p> Subscribe: RSS<\/a><\/p><\/p>\n Near FM is delighted to present the latest in our Hugh Lane Concert series, featuring renowned violinist Mayah Kadish accompanied by Tim Cape on electronics. The concert was recorded on Jan 12th 2025 in Dublin\u2019s Hugh Lane gallery as part of the weekly Sunday at Noon series. In this programme we hear the concert interspersed with an in depth interview with Mayah and Tim, as well as audience reaction to the concert.<\/p>\n Concert Programme<\/strong><\/p>\n Sarah Nemtsov \u2013 Kadosh (Irish premiere) Credits \u2013<\/strong>\u00a0Series Producer is Dorothee Meyer Holtkamp, Radio Programme mixed by Paul Loughran, Interview and links by Cliodhna Ryan, Concert recorded by Ber Quinn, Interview recorded by Gabor Zajzon, Audience reaction by Dorothee Meyer Holtkamp. Made with the support of Coimisi\u00fan Na Mean with the Television License fee.<\/p>\n Mayah Kadish is principle violinist of Berlin-based contemporary ensemble s t a r g a z e directed by Andr\u00e9 de Ridder and London-based contemporary group Ensemble x.y, and founding member of the baroque trio sonata group La Vaghezza. As concertmaster and sometimes soloist she has worked with the European Union Baroque Orchestra, La Temp\u00eate, Orchestra Controcorrente, Oxford Baroque, among others. Mayah was born in Rome and grew up in London. At university she studied philosophy at King\u2019s College London and worked as a translator from French and Italian to English. She obtained her Master\u2019s degree as a violinist from the Royal Academy of Music London, and studied the baroque violin with Enrico Onofri in Sicily. She plays on baroque and modern violins made by Philip Ihle in 2019 and 2016 respectively. mayahkadish.com<\/a><\/p>\n Timothy Cape is a composer from Donegal who often performs his own pieces, or works closely with musicians to find a connection between their idiosyncrasies and his, prioritising a direct communication with the audience. Exploring the psychological effects of post-fordist labour, his recent work uses performative processes to destroy ideological uses of language and rearrange them into new, mysterious languages which are then treated musically to summon ghosts of past events and invoke desired futures. In 2022 he was selected for the Venice Biennale Music College, which includes a festival commission for Italian percussion trio Ars Ludi and Soprano Esther Rispens. Other Commissions included hcmf\/\/ (UK), Kirkos Ensemble (IE) and percussionist Angela Hui Wai Nok (five performances internationally), Spitalfields Festival and Britten Pears foundation. Three of his pieces have had live broadcasts on BBC Radio 3 since \u201916, and international performances include Spor Festival DK, Aldeburgh Festival UK, Perifirein NO, Music Current IE, and Constellations US. He is a member of Bastard Assignments, a group of composer-performers called \u201cone of the most exciting forces in contemporary music\u201d (Financial Times \u201920) and \u201cat the forefront of London\u2019s DIY new music scene\u201d (Neue Zeitung fur Musik \u201919).\u00a0timothycape.net<\/a><\/p>\n First broadcast on Tuesday 11th February at 2pm on Near FM<\/p>\n","protected":false},"excerpt":{"rendered":" Near FM is delighted to present the latest in our Hugh Lane Concert series, featuring renowned violinist Mayah Kadish accompanied by Tim Cape on electronics. The concert was recorded on Jan 12th 2025 in Dublin\u2019s Hugh Lane gallery as part of the weekly Sunday at Noon series. In this programme we hear the concert interspersed […]<\/p>\n
\nClaudio Monteverdi \u2013 Cor mio non mori? E mori (diminutions by Mayah Kadish)
\nMayah Kadish \u2013 Bloodstone (world premiere)
\nElischa Kaminer \u2013 yamim noraim episode 1 (world premiere)
\nSara Cubarsi \u2013 The Blind Cow (Irish premiere)
\nTimothy Cape \u2013 Edika Liiko (Irish premiere)<\/p>\n